Tag: Genna Rivieccio
Letters To Juliet: A Romance That Offers More Than Cheese
It’s difficult to imagine William Shakespeare finding success in the modern era. So much of his message adheres to the rom-com formula that appears to [Read More…]
Beyoncé Makes Bitter Lemonade
“What a wicked way to treat the girl that loves you.” This lyric from the second track on Beyoncé’s sixth album (and sophomore “surprise” one), “Hold [Read More…]
“Ain’t Your Mama” Tears the Oedipus Complex a New Asshole
Regardless of the controversy surrounding Jennifer Lopez’s latest single (due its Dr. Luke-produced beats), the song has undeniable value when it comes to the very [Read More…]
Charli XCX Brings Us A Futuristic Grease 2 Tableau With “Vroom Vroom”
As Charli XCX continues down the path of prolific, her work has shown a remarkable ability to take risks in a short span of time. [Read More…]
April 21, The Day Sex & The 80s Died
For so long, Prince was what defined the concept of sexual ooze against a backdrop that seemed to perpetually exude 80s-chic aestheticism. With his unexpected [Read More…]
Rihanna Does Spring Breakers for “Needed Me” Video
As the singles seem to keep coming from Rihanna’s ANTI album, which has seemingly had a renaissance after a lackluster release, the Barbadian chanteuse continues [Read More…]
Only M.I.A. Could Turn A Corporate Collaboration Into A Cause
In honor of World Recycle Week (April is no longer just about Earth Day anymore when it comes to “green” endeavors), M.I.A.’s surprising collaboration with H&M has [Read More…]
Unbreakable Kimmy Schmidt Harbors Annoying Main Character Syndrome
Somewhat similar to Carrie Bradshaw Syndrome, Unbreakable Kimmy Schmidt has a main character that, at times, almost entirely counteracts the goodness of the show (still, [Read More…]
My Big Fat Greek Wedding 2: Worth the Wait
It doesn’t typically take fourteen years for a sequel to be released (just look at the one-two punch of Charlie’s Angels in 2000, followed by [Read More…]
There Are Two Types of Women in This World: Anne Archers & Glenn Closes
At one of the peaks of conservatism in America (of which there have been many), Fatal Attraction‘s release in 1987 has often been viewed as [Read More…]