Tag: Genna Rivieccio
Billie Eilish’s Dreamscape Continues to Inspire on “Everything I Wanted”
As though firmly on the Ariana Grande track when it comes to releasing albums in rapid succession, Billie Eilish has just released her first single [Read More…]
Yakov Petrovich Golyadkin Comes to Life in Living With Yourself
Self-hate is almost an even stranger animal in the twenty-first century. For it’s so intrinsically linked to narcissism and the constant need to compare oneself [Read More…]
Ariana Grande Does the Madonna Method for Soundtracks on Charlie’s Angels, Providing the Bulk of Songs For It
For those who have quickly forgotten Madonna’s storied past with film–and incorporating her own music into it so as to secure at least some success–Ariana [Read More…]
Plebes Sue Madonna For Being Tardy to Their Milquetoast Party
As is typical of the adage about biting the hand that feeds you, a lawsuit against Madonna for taking the stage too late for her [Read More…]
Mel C Takes Cues From Cher, Madonna in “High Heels” Video
As though embracing the full weight of what it means to be a Spice Girl in 2019–that is to say, capitalizing on its present LGBTQ [Read More…]
(Mary) Magdalene, Queen of Catharsis: FKA Twigs’ Crawl Out of a Black Hole (Vaginal Pun Intended)
It’s almost cruelly fitting that depression is likened to being in a black hole and so, too, is it the place we all come out [Read More…]
Instagram To Start Hiding Likes, Aid Those With the Mantra, “Nobody Likes Me, Everybody Hates Me, Guess I’ll Eat Some Worms”
We’ve been conditioned for so long to operate on the instant high of quick validation through the social media enterprise. Instagram, of course, has been [Read More…]
The Two Lolitas Lyon and Swain
In 1962, on the heels of directing Spartacus, Stanley Kubrick would exhibit a rare instance of surrendering the tone of Lolita to the domineering pitch [Read More…]
On Death Becomes Her Riffing Off What Ever Happened to Baby Jane?
At the core of every long-standing and staunchly embittered female rivalry (at least in the twentieth century, though obviously it’s still happening now) is, of [Read More…]
Phyllis Thinks She’s Hot Shit Because She’s A Sociopath, Or: Double Indemnity & The Two-Dimensional Femme Fatale
Billy Wilder wasn’t exactly known for creating complex female characters, more predisposed instead to focusing on his male heroes and/or their buddy dynamic (which was [Read More…]
