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Culled Culture
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You Seem Pretty Sad for a Girl So in Love as Carrie Bradshaw’s Album/Philosophy for Aidan Shaw

You Seem Pretty Sad for a Girl So in Love as Carrie Bradshaw’s Album/Philosophy for Aidan Shaw

The Greekness of MARINA’s “I’m a Ruin”

The Greekness of MARINA’s “I’m a Ruin”

Stuart Price Continues to Prove He’s Madonna’s Best Remixer with the “Bring Your Love” Afterhours Mix

Stuart Price Continues to Prove He’s Madonna’s Best Remixer with the “Bring Your Love” Afterhours Mix

The Nuanced Differences Between the Standalone “Bring Your Love” Video and the One Within Confessions II: The Film

The Nuanced Differences Between the Standalone “Bring Your Love” Video and the One Within Confessions II: The Film

Stamen Power: Tove Lo and Stromae Offer “Des Fleurs” for Those in Heat

Stamen Power: Tove Lo and Stromae Offer “Des Fleurs” for Those in Heat

Love is a Delicate Dance in Olivia Rodrigo’s “Stupid Song” Video

Love is a Delicate Dance in Olivia Rodrigo’s “Stupid Song” Video

With You Seem Pretty Sad for a Girl So in Love, Olivia Rodrigo Hones Her The Cure Sound

With You Seem Pretty Sad for a Girl So in Love, Olivia Rodrigo Hones Her The Cure Sound

Category: Film

Film Pop Culture Television

Brenda in Adventures in Babysitting as Precursor to Barb in Stranger Things

  • By Genna Rivieccio
  • December 21, 2017

Considering the thoroughness with which Stranger Things strives to appear as a show directly out of the 80s, it’s not remarkable that the inspiration for [Read More…]

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Film

Don’t Ever Get Married: The Purple Rain Mantra Applies to Tonya Harding Biopic I, Tonya

  • By Genna Rivieccio
  • December 16, 2017

As The Kid’s father (a.k.a. “Francis L.”), warned him in Purple Rain, “Don’t ever get married.” Or at least don’t let someone’s abusive form of [Read More…]

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Film

Living In Oblivion Parodies Indie Filmmaking Being Just As Impure As Major Budget Movies

  • By Genna Rivieccio
  • December 14, 2017

The 90s. Arguably the time when indie filmmaking was at its peak definition of “indie,” in terms of major Hollywood actors suddenly wanting to get [Read More…]

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Film

The Disaster Artist: Money Is the Answer to (Vague Artistic) Success

  • By Genna Rivieccio
  • December 6, 2017

As far as directors/actors/writers/producers go, perhaps the only person in the history of filmmaking ever to be as lambasted as Tommy Wiseau is Ed Wood–and [Read More…]

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Film

Devil’s Advocate: Wonder Wheel Offers Shades of Tennessee Williams, Blue Jasmine

  • By Genna Rivieccio
  • December 4, 2017

It has to be said that there is nary a favorable reception or assessment of Woody Allen these days (a light defense of Harvey Weinstein [Read More…]

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Film

The Square Rips Into Human Hypocrisy When It Comes to Pretending to Care, Particularly Through “Socially Conscious” Art

  • By Genna Rivieccio
  • November 29, 2017

In American elementary schools and Alcoholics Anonymous meetings, it is usually a circle of trust that ensures a safe sanctuary among strangers typically and rightfully [Read More…]

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Film

Landline: A 90s Period Piece That Assures Us Existential Crises Have Nothing to Do With Technology

  • By Genna Rivieccio
  • November 28, 2017

Gillian Robespierre’s second feature film, Landline, is, in many ways, in keeping with the tone of her first, Obvious Child. And it isn’t just because [Read More…]

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Film

The “Summit” That Defined a Decade: Happy Anniversary to The Paris/Britney/Lindsay Hangout Session

  • By Genna Rivieccio
  • November 27, 2017

It was eleven years ago tonight that one wild evening in Hollywood sent the paparazzi of TMZ and beyond into a frenzy. An epilepsy-inducing amount [Read More…]

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Film

Cady Heron Mutates Into Thea Clayhill in Labor Pains

  • By Genna Rivieccio
  • November 26, 2017

Beginning her first foray into the TV movie world after success-turned-tabloid demise (Life-Size on the Disney Channel aired pre-height of Mean Girls fame), the Lindsay [Read More…]

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Film

It Should Happen to You: A Prescient Take on Modern Fame

  • By Genna Rivieccio
  • November 23, 2017

The renowned “woman’s director” (that was derisive code for the open Hollywood secret of his sexuality), George Cukor was, by 1954, all too familiar with [Read More…]

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  • You Seem Pretty Sad for a Girl So in Love as Carrie Bradshaw’s Album/Philosophy for Aidan Shaw
  • The Greekness of MARINA’s “I’m a Ruin”
  • Stuart Price Continues to Prove He’s Madonna’s Best Remixer with the “Bring Your Love” Afterhours Mix
  • The Nuanced Differences Between the Standalone “Bring Your Love” Video and the One Within Confessions II: The Film
  • Stamen Power: Tove Lo and Stromae Offer “Des Fleurs” for Those in Heat

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  • MARINA I’m a Ruin video on The Greekness of MARINA’s “I’m a Ruin”
  • Auto Draft on Confessions II: The Film—Along With Offering Many Callbacks to Her Previous Music Videos, It’s A Kind of “Bitch I’m Madonna” Affair
  • Olivia Rodrigo Stupid Song video on Love is a Delicate Dance in Olivia Rodrigo’s “Stupid Song” Video
  • Olivia Rodrigo Stupid Song video on With You Seem Pretty Sad for a Girl So in Love, Olivia Rodrigo Hones Her The Cure Sound
  • Olivia Rodrigo You Seem Pretty Sad for a Girl So in Love on Love is a Delicate Dance in Olivia Rodrigo’s “Stupid Song” Video

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