Category: Film
Body is (Un)Reality: Crimes of the Future
With such a title, one would think Crimes of the Future might show a more escalated version of cyber warfare or even technological advancements in [Read More…]
On the Count of Three Serves That Rare Genre: The “Suicide Buddy Movie”
Addressing suicide “comedically” is one of the impossible feats in general, but most especially in film. Maybe that’s why the “suicide buddy movie” doesn’t happen [Read More…]
Ageism Is the Safe Bet for “Humor Rebranding” in Top Gun: Maverick
“Oh my god. This thing is so old,” Rooster (Miles Teller) says at one point when he’s given no choice but to board an F-14 [Read More…]
Top Gun Is Homoerotic Republican Porn
It feels like one of many ironies that Top Gun was ultimately the product of an Israel-born Jewish man. For in writing an article for [Read More…]
Curating Pain and a Road Trip Route: Driving Home 2 U
The acceleration of time within the framework of “modern fame” is something Olivia Rodrigo knows all about. From Old Navy commercial to Disney star to [Read More…]
White Folk Sure Are Crazy: The Northman
“Hate is all I’ve ever known. I want to be free of it.” Wanting and doing, of course, are two entirely different things. Particularly for [Read More…]
As Usual, Madonna Does It Better–Including Marilyn Drag
One atrocious tribute at the Met Gala, and now Kim’s name is automatically associated with Marilyn’s? Try staying committed to Marilyn drag your entire career. [Read More…]
Marcel the Shell With Shoes On Touches on the Craving for a Tangible Community That Has Been Lost Among Humans
“It’s nice to do together, because it’s well-intentioned,” Jenny Slate says in a 2011 interview with Brian Williams (who also seems only too eager to [Read More…]
The Mystery of Marilyn Monroe: The Unheard Tapes Re-Emphasizes How Marilyn Forged the Blueprint of Modern Fame and the Media/Societal Thirst For Chewing Up and Spitting Out Women
Maybe the obsession with glamorizing Hollywood celebrity is almost as strong as the obsession with peeking behind the curtain to see just how sinister life [Read More…]
A Woman’s Body Is Government Property: L’événement is a Tale Set in 1963 That Remains Tragically Relevant in the Modern Era
The French have never been wont to sugar-coat anything. And why would they bother to do so with abortion? Or, at least, why would writer-director [Read More…]
