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With a Mishmash of Influences (from David Lynch to The Matrix) Backrooms is Gen Z’s 90s Hard-On Manifested on the Big Screen

With a Mishmash of Influences (from David Lynch to The Matrix) Backrooms is Gen Z’s 90s Hard-On Manifested on the Big Screen

You Seem Pretty Sad for a Girl So in Love as Carrie Bradshaw’s Album/Philosophy for Aidan Shaw

You Seem Pretty Sad for a Girl So in Love as Carrie Bradshaw’s Album/Philosophy for Aidan Shaw

The Greekness of MARINA’s “I’m a Ruin”

The Greekness of MARINA’s “I’m a Ruin”

Stuart Price Continues to Prove He’s Madonna’s Best Remixer with the “Bring Your Love” Afterhours Mix

Stuart Price Continues to Prove He’s Madonna’s Best Remixer with the “Bring Your Love” Afterhours Mix

The Nuanced Differences Between the Standalone “Bring Your Love” Video and the One Within Confessions II: The Film

The Nuanced Differences Between the Standalone “Bring Your Love” Video and the One Within Confessions II: The Film

Stamen Power: Tove Lo and Stromae Offer “Des Fleurs” for Those in Heat

Stamen Power: Tove Lo and Stromae Offer “Des Fleurs” for Those in Heat

Love is a Delicate Dance in Olivia Rodrigo’s “Stupid Song” Video

Love is a Delicate Dance in Olivia Rodrigo’s “Stupid Song” Video

Category: Film

Film Pop Culture Television

Golden Globes 2016: More Interesting Than Last Year

  • By Genna Rivieccio
  • January 11, 2016

Award shows can always go one of two ways: utterly drab or a complete shit show. In the case of this year’s Golden Globe Awards, [Read More…]

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Film

The Greek Tragedy Influence of James Foley’s Fear

  • By Genna Rivieccio
  • January 10, 2016

For as written off as James Foley’s Fear tends to be when it comes to being seen as something more than a teen trash psychological thriller, [Read More…]

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Film

The Five Trashiest Alyssa Milano Movies Ever Made

  • By Genna Rivieccio
  • January 10, 2016
The kiss of trash

Sure, she’s known primarily for Charmed and, if you’re of a certain age, Who’s the Boss?, but don’t forget about Alyssa Milano’s robust film career. [Read More…]

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Film

For a Good Time, Call Carol

  • By Genna Rivieccio
  • January 10, 2016

Oh the pain, the fucking pain. That’s all one can think of while watching Therese Belivet (Rooney Mara) get out of a car to throw [Read More…]

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Film

Night Owls: A Jaded Rom-Com That Makes Football Mildly Interesting

  • By Genna Rivieccio
  • January 7, 2016

When it comes to the execution of the one-night stand movie, a lot of things can go wrong–mainly because it’s such a cliched topic. But [Read More…]

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Film

Mélanie Laurent’s Respire Emphasizes the Dark Side of Female Friendship

  • By Genna Rivieccio
  • January 7, 2016

There is perhaps no more complex relationship in existence than the one that is between two adolescent females. It is a time in one’s life [Read More…]

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Film

Joy: The Erin Brockovich of Our Time

  • By Genna Rivieccio
  • January 7, 2016

It’s the struggle that no one knew they wanted to see onscreen: that of Miracle Mop inventor Joy Mangano (Jennifer Lawrence), a constantly striving to [Read More…]

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Film

The Lady Eve & Men’s Fear of Sluts

  • By Genna Rivieccio
  • January 4, 2016

Regardless of women being “liberated” during the time of World War Two, when men were forced to “allow” them to do “masculine” tasks like work [Read More…]

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Film

Chalotte Pingress: The Epitome of the Manipu-bitch in a Friendship

  • By Genna Rivieccio
  • January 2, 2016

In any female friendship (or male one, for that matter–though to a somewhat lesser extent), there is a stronger, more powerful party, a manipulator. The [Read More…]

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Film

How Much Do You Love Me? Mirrors the Whimsy of Mood Indigo

  • By Genna Rivieccio
  • December 31, 2015

Bertrand Blier’s 2005 semi rom-com How Much Do You Love Me? centers around the not so fanciful notion of a man falling in love with [Read More…]

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  • With a Mishmash of Influences (from David Lynch to The Matrix) Backrooms is Gen Z’s 90s Hard-On Manifested on the Big Screen
  • You Seem Pretty Sad for a Girl So in Love as Carrie Bradshaw’s Album/Philosophy for Aidan Shaw
  • The Greekness of MARINA’s “I’m a Ruin”
  • Stuart Price Continues to Prove He’s Madonna’s Best Remixer with the “Bring Your Love” Afterhours Mix
  • The Nuanced Differences Between the Standalone “Bring Your Love” Video and the One Within Confessions II: The Film

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  • MARINA I’m a Ruin video on The Greekness of MARINA’s “I’m a Ruin”
  • Auto Draft on Confessions II: The Film—Along With Offering Many Callbacks to Her Previous Music Videos, It’s A Kind of “Bitch I’m Madonna” Affair
  • Olivia Rodrigo Stupid Song video on Love is a Delicate Dance in Olivia Rodrigo’s “Stupid Song” Video
  • Olivia Rodrigo Stupid Song video on With You Seem Pretty Sad for a Girl So in Love, Olivia Rodrigo Hones Her The Cure Sound
  • Olivia Rodrigo You Seem Pretty Sad for a Girl So in Love on Love is a Delicate Dance in Olivia Rodrigo’s “Stupid Song” Video

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