Author: Genna Rivieccio
Genna Rivieccio writes for myriad blogs, mainly this one, The Burning Bush, Missing A Dick, The Airship and Meditations on Misery.
The Irony of Shania Twain’s “You’re Still The One”
Considering “You’re Still The One” is among the most romantic songs ever, the irony behind the love story that inspired it seems almost Greek in [Read More…]
New Music From Grimes Is A “Go”
Rihanna, known for rejecting songs that other artists are happy to pick up (see: Miley Cyrus’ “We Can’t Stop”), may be kicking herself after hearing [Read More…]
Tove Lo Perpetuates The Tradition of Amazing Swedish Pop
In the tradition of amazing Swedish pop music pioneered by ABBA, Tove Lo continues to prove that no one knows danceable beats better than a [Read More…]
That’s Because I’m Jealous: A Playlist for the Green-Eyed Monster
There’s no worse emotion than jealousy. Or worse, when the person who’s making you feel jealous just doesn’t give a shit. So, if you’re going [Read More…]
The Leopard Print in Film
While leopard prints are to fashion cliches what Wildean aphorisms are to the intro of novels, they are still among the most memorable ensembles worn [Read More…]
The Mystery of Mick Fleetwood
Of all the members of Fleetwood Mac, it seems as though Mick Fleetwood is the most elusive. Obviously, Stevie Nicks is the star, followed by [Read More…]
Timeless Summer Anthems
Some summer anthems come and go (see: LFO’s “Summer Girls”), while others possess the enduring spirit of the season for the remainder of pop culture [Read More…]
Lana Del Rey and The Frances Bean Problem
Frances Bean, the most obvious unofficial spokesperson for fallen rock and roll legends has spoken out against a recent interview Lana Del Rey gave for [Read More…]
Rowlands With the Punches
Gena Rowlands’ ability to lend her distinct persona to every character she’s played–especially those directed by her husband, John Cassavetes–is a rare quality among actresses [Read More…]
The Innocence of Scorsese’s Style in Mean Streets
Even though Martin Scorsese had two prior films before Mean Streets, Who’s That Knocking At My Door and Boxcar Bertha, the auteur didn’t truly come [Read More…]
