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Culled Culture
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The “A” List: Ariana and Addison Shine Through the Most on Adéla’s Debut, Prima

The “A” List: Ariana and Addison Shine Through the Most on Adéla’s Debut, Prima

Miley Summons the Spirit of Britney’s “Gimme More” for “Bass Persuades”

Miley Summons the Spirit of Britney’s “Gimme More” for “Bass Persuades”

Coyote vs. Acme: A Tale of Discrimination, Perseverance and Corporate Evil

Coyote vs. Acme: A Tale of Discrimination, Perseverance and Corporate Evil

Nessa Barrett’s “Bad Girls Never Die”: Like If AI Was Prompted to Create a Lana Del Rey Song

Nessa Barrett’s “Bad Girls Never Die”: Like If AI Was Prompted to Create a Lana Del Rey Song

Nessa Barrett Unleashes More Lana Del Rey Cosplay for “Too Fast Too Live, Too Young Too Die”

Nessa Barrett Unleashes More Lana Del Rey Cosplay for “Too Fast Too Live, Too Young Too Die”

One Night Only Is a Wet Dream (for Those Who Dream of Marriage-Fueled Capitalism Enduring)

One Night Only Is a Wet Dream (for Those Who Dream of Marriage-Fueled Capitalism Enduring)

The Unwitting Way that Adéla’s “Ain’t in LA” Is Actually Complimentary to the City It Insults

The Unwitting Way that Adéla’s “Ain’t in LA” Is Actually Complimentary to the City It Insults

Tag: Penelope Cruz

Film

Who’s Afraid of The Invite?

  • By Genna Rivieccio
  • July 13, 2026

As the opening titles to The Invite commence, there are flashes (or “snatches,” if one prefers) of Joe (Seth Rogen) and Angela (Olivia Wilde) in [Read More…]

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Film

The Problem(s) With Calling a Movie That Makes Millions of Dollars “Dead on Arrival”

  • By Genna Rivieccio
  • March 11, 2026

From the moment The Bride! landed in theaters, it was branded as “dead on arrival” (yes, a “cute” phrase aimed at the Frankenstein element of [Read More…]

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Film

Without Dolor, There Can Be No Gloria

  • By Genna Rivieccio
  • September 29, 2019

If anyone was fated to play Pedro Almodóvar’s mother in a meta biopic of his life, it could have been none other than Penélope Cruz, [Read More…]

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Film

To Rome With Love’s Use of the Fellini Blueprint

  • By Genna Rivieccio
  • July 10, 2018

As one of the most maligned of Woody Allen’s past ten years of back to back films (a feat he has sustained since he began [Read More…]

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Film

Murder on the Orient Express Reminds Us to Embrace the Gray Areas of Life

  • By Genna Rivieccio
  • November 20, 2017

Remakes of classic films–and worse yet, classic films based on equally as classic books–tend always to be dicey. And even with Kenneth Branagh’s faithful rendering [Read More…]

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Television

Not Mad About Penelope Cruz Being Cast as Donatella in Versace: American Crime Story

  • By Genna Rivieccio
  • March 22, 2017

After the bullet of Lady Gaga trying to inhabit the fabuloso essence of Donatella Versace got nixed because of her “busy schedule,” many in the [Read More…]

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Film Pop Culture

The 9 Most Scathing Movies About the Movie Business

  • By Genna Rivieccio
  • May 5, 2014

Making a movie is a crazy thing. You have to be at least a little psychotic to commit to it. Actor Tony Curtis put it [Read More…]

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Film Pop Culture

The Five Best Penelope Cruz Movies

  • By Genna Rivieccio
  • April 28, 2014

Although Penelope Cruz’s career kicked off long ago (circa 1991), it has largely been her more recent film choices that have led her to transcendence. [Read More…]

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  • The “A” List: Ariana and Addison Shine Through the Most on Adéla’s Debut, Prima
  • Miley Summons the Spirit of Britney’s “Gimme More” for “Bass Persuades”
  • Coyote vs. Acme: A Tale of Discrimination, Perseverance and Corporate Evil
  • Nessa Barrett’s “Bad Girls Never Die”: Like If AI Was Prompted to Create a Lana Del Rey Song
  • Nessa Barrett Unleashes More Lana Del Rey Cosplay for “Too Fast Too Live, Too Young Too Die”

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