Category: Film
It’s Actually In Poor Taste for Taylor Swift to Release Eras Tour Film During the Strike
Having already shattered Marvel movie records by raking in twenty-six million dollars in presale tickets alone, it’s evident that audience members are experiencing the same [Read More…]
The Beanie Bubble Reminds That The Ultimate Childhood Toy for Millennials Was Also the Ultimate Representation of What It Is to Be Millennial
Perhaps what strikes one the most about The Beanie Bubble isn’t pulling back the curtain behind the “Wizard of Beanie Babies,” Ty Warner, and finding [Read More…]
Pee-wee’s Big Capitulation: As “Weird” As Pee-wee Was, He Was Still A Material Boy of the 80s
Perhaps it’s difficult to imagine a world in which “weird” isn’t a sellable commodity. It certainly wasn’t an effortless sell in the Reagan 80s. Not [Read More…]
Stop Calling Barbie “Escapist Fun”
For the most part, Barbie has held fast to its reputation as an old school work of art in the (im)pure studio system sense of [Read More…]
Barbie: The Album Might Cut It In Barbie Land, But Not in the Real World
With a movie as instantaneously revered as Barbie, it’s only natural to expect an accompanying soundtrack that might do it justice. And sure, the Barbie [Read More…]
Blow Up the Patriarchy, Or: The Barbenheimer Experience
Perhaps what they don’t warn you about with regard to “the Barbenheimer experience” is just how jarring it actually is. Certainly, that’s the entire “point” [Read More…]
In Barbie, As In Life, Patriarchy Is the Insidious Force Turning Women’s Lives Upside Down
It’s among the few mononyms that invoke an immediate visceral reaction—whether reverent or contemptuous—within people. God. Madonna. Barbie. And, like the aforementioned Italian-American pop star, [Read More…]
The Preeminent Question Presented By No Hard Feelings: “Doesn’t Anyone FUCK Anymore?!”
Perhaps if there is one key aim of No Hard Feelings (apart from being 2023’s answer to a “sex” comedy), it’s to highlight the flaccidity [Read More…]
Asteroid City: Wes Anderson’s “Sci-Fi” Movie Is About A Collective and Resigned Sense of Doom More Than It Is 50s Americana
A palpable shift has occurred in Wes Anderson’s style and tone since the release of 2021’s The French Dispatch. One doesn’t want to use a [Read More…]
Wham!—The Music Duo and the Documentary—Reminds That Pop Music Was Never Frivolous
It’s easy to write Wham! off, even to this day, as another “embarrassing” 80s pop group. Their preppy, often neon attire, combined with Hair As [Read More…]
