Author: Genna Rivieccio
Genna Rivieccio writes for myriad blogs, mainly this one, The Burning Bush, Missing A Dick, The Airship and Meditations on Misery.
She Is Coming (And So Will You Over Miley Cyrus’ New EP)
Starting with the matriarchy-oriented “Mother’s Daughter,” Miley Cyrus establishes She Is Coming as her most declaratively “feminist as fuck” album yet. Though it’s not so [Read More…]
Tove Lo Is Glad He’s (a.k.a. Your Asshole Boyfriend) Gone
Progressively more confident and snarky with each passing album, Tove Lo has come a long way since the damaged psyche Queen of the Clouds persona [Read More…]
Cardi B’s “Press”: An Offshoot of Offset’s “Clout”
Continuing to release the bread crumbs of singles that will result in her eventual second album, Cardi B’s latest, “Press,” is, for once, a declaration [Read More…]
To Walk Like Richard Ashcroft Is Both to Come of Age and Remain Puerile
The song that was, is and will forever remain the unapologetic anthem of what it is to be a human in “civilized society” (no matter [Read More…]
Greta (Does Not Want to Be Alone)
In keeping with certain themes about New York–1) you’ll never make enough friends for anyone to notice your absence quickly enough and 2) it’s like [Read More…]
The Dead Don’t Die (Or Stop Wanting Coffee, Or WiFi Or Xanax) And That’s Part of Why We’re In A Boschian Hellscape
Never one to shy from the hyper-metaness of existence in his work, Jim Jarmusch’s latest, The Dead Don’t Die, is in every way an unbridled [Read More…]
Marnie Proves It Takes A Special Kind of Man to Endure the Effects of A Woman’s Childhood Trauma
Based on Winston Graham’s 1961 novel, Marnie is arguably a showcase of Alfred Hitchcock at his perverse best. For no British director of his time [Read More…]
Waste Not, Want Not: Kurt Cobain’s Pizza-Greased Paper Plate Makes Big Dough at Auction
Just as punk is not even ironically dead anymore, so, too, has grunge been utterly pulverized by the nature of corporate grafting (as best exhibited [Read More…]
Quentin Tarantino Has A Bret Easton Ellis Moment in “Rejecting A Hypothesis” During Once Upon A Time In Hollywood Press Conference
As the excitement mounts even now–in an era of extreme contempt for machismo–for Quentin Tarantino’s ninth film (when considering Kill Bill Vol. 1 and 2 [Read More…]
In Light of Moby’s “Confession” About Lana Del Rey, Certain Lyrics of Hers Seem Tailored Toward His 00s Ego
After setting the tone in 1999 with Play for his commercialized career of the 00s, Moby very much indeed transcended into “the man.” Though not [Read More…]
