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Culled Culture
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Christopher Nolan’s The Odyssey Is Updated to Reflect Our Own “End of Civilization” Times

Christopher Nolan’s The Odyssey Is Updated to Reflect Our Own “End of Civilization” Times

Madonna Goes All in on Recycling the Confessions on a Dance Floor Era for her World Cup Halftime Performance

Madonna Goes All in on Recycling the Confessions on a Dance Floor Era for her World Cup Halftime Performance

It Says Something That Even Madonna Wants to Revisit the 2000s

It Says Something That Even Madonna Wants to Revisit the 2000s

To an Extent, Brenda Fricker’s Life Was on Par with the Pigeon Lady’s Own Tragic Backstory in Home Alone 2

To an Extent, Brenda Fricker’s Life Was on Par with the Pigeon Lady’s Own Tragic Backstory in Home Alone 2

Any Fiery Flames of Gracie Abrams’ Daughter From Hell Burn Out Quickly Once It Gets Started

Any Fiery Flames of Gracie Abrams’ Daughter From Hell Burn Out Quickly Once It Gets Started

The Pluribus Undertones of Disclosure Day—Except the Latter Doesn’t Quite Land the Flying Saucer Home

The Pluribus Undertones of Disclosure Day—Except the Latter Doesn’t Quite Land the Flying Saucer Home

It’s Both Shocking and Not That Madonna Still Doesn’t Have Taylor Swift Beat When It Comes to Having More Number One Albums on the Billboard 200

It’s Both Shocking and Not That Madonna Still Doesn’t Have Taylor Swift Beat When It Comes to Having More Number One Albums on the Billboard 200

Tag: Octavia Spencer

Film

The Help Is (Still) What (White) People Are Watching To Make Themselves Feel Aware

  • By Genna Rivieccio
  • June 7, 2020

In one of many classic examples of how Hollywood has fucked over black people since the film industry’s inception, the very existence of The Help [Read More…]

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Film

Ostracism’s No Party: Ma

  • By Genna Rivieccio
  • June 10, 2019

As one of the elements of bullying still largely unaddressed by the so-called bleeding hearts of primarily liberals, ostracism factors in heavily to the lifelong [Read More…]

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Film

The Shape of Water’s Sweep at The Oscars & Its Significance to Hollywood Doing Its Best to Be More “Inclusive”

  • By Genna Rivieccio
  • March 5, 2018

Because Get Out winning Best Picture would have been far too political a choice (and also would have meant that Allison Williams had starred in [Read More…]

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Film

“The Legend of a Man-Fish”: The Shape of Water at Last Finds The Creature From the Black Lagoon Vindicated

  • By Genna Rivieccio
  • December 28, 2017

“Time is but a river flowing from our past.” This is the first “thought of the day” we’re confronted with as mute cleaning woman Elisa [Read More…]

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Film

Hidden Figures: A Movie That Figures Out How to Lend the Term “Feel-Good” to Racism

  • By Genna Rivieccio
  • January 17, 2017

A film about a trio of exceptionally brilliant black female mathematicians, one would think, ought to be directed by, ideally, a black female–or at least [Read More…]

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Film

Such A Mean Old Man, Such A Dirty Old Man: Bad Santa 2

  • By Genna Rivieccio
  • November 26, 2016

The sequel is rarely a one-up of its original, except in the case of The Godfather: Part II and Charlie’s Angels: Full Throttle. But, at [Read More…]

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Recent Posts

  • Christopher Nolan’s The Odyssey Is Updated to Reflect Our Own “End of Civilization” Times
  • Madonna Goes All in on Recycling the Confessions on a Dance Floor Era for her World Cup Halftime Performance
  • It Says Something That Even Madonna Wants to Revisit the 2000s
  • To an Extent, Brenda Fricker’s Life Was on Par with the Pigeon Lady’s Own Tragic Backstory in Home Alone 2
  • Any Fiery Flames of Gracie Abrams’ Daughter From Hell Burn Out Quickly Once It Gets Started

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  • Madonna World Cup Halftime Show on In Many Ways, Madonna’s Confessions II is Erotica II
  • Brenda Fricker Pigeon Lady on Bonnie Tyler: More Than “Total Eclipse of the Heart”
  • Madonna 2000s Confessions on On People Praising Madonna for Embracing “Nostalgia” with Confessions II
  • Madonna 2000s Confessions on In Many Ways, Madonna’s Confessions II is Erotica II
  • Brenda Fricker Pigeon Lady on Bonnie Tyler: More Than “Total Eclipse of the Heart”

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