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Beef Uses the “War” Between Millennials and Gen Z as Smokescreen for the Larger Issue at Hand

Beef Uses the “War” Between Millennials and Gen Z as Smokescreen for the Larger Issue at Hand

Beef Season 2’s Real Contention Isn’t Between People, But Between People and a System

Beef Season 2’s Real Contention Isn’t Between People, But Between People and a System

Madonna Might Not Be As Free as She Thinks on “I Feel So Free”—But the Sense of Freedom She Instills Within Others Continues to Work

Madonna Might Not Be As Free as She Thinks on “I Feel So Free”—But the Sense of Freedom She Instills Within Others Continues to Work

With Her Full-Circle Confessions Moment, Madonna Steals the Show at Sabrina Carpenter’s Weekend 2 Coachella Performance

With Her Full-Circle Confessions Moment, Madonna Steals the Show at Sabrina Carpenter’s Weekend 2 Coachella Performance

Olivia Rodrigo Does Marie Antoinette Cosplay With “Drop Dead” Video

Olivia Rodrigo Does Marie Antoinette Cosplay With “Drop Dead” Video

Lana Del Rey Finally Gets Her James Bond Moment

Lana Del Rey Finally Gets Her James Bond Moment

Lady Gaga’s “Corporate Gay” Single, “Runway”

Lady Gaga’s “Corporate Gay” Single, “Runway”

Tag: Alfred Hitchcock

Film

Maxxxine: What Ryan Murphy Wishes He Could Do

  • By Genna Rivieccio
  • July 6, 2024

Over the past decade, Ryan Murphy has positioned himself as the “go-to” for all things campy/pop culture-oriented. More than that, all things “retro” pop culture-oriented. [Read More…]

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Film Literature

A Tale of Two Marnies: The Book Version and the Film Version

  • By Genna Rivieccio
  • August 28, 2021

Marnie might be one of the most problematic Alfred Hitchcock movies of all-time, which is really saying something as there are so many affronting cinematic [Read More…]

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Film

Two Emmas, Two-Tone Hair: Duality is the Word in Cruella

  • By Genna Rivieccio
  • May 29, 2021

Everyone has been wondering for some time now how Disney would manage to make a sympathetic origin story about a puppy-skinning fiend. Cruella de Vil [Read More…]

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Film

Post-2020, Agoraphobics Are The New Empathetic Character: The Woman in the Window

  • By Genna Rivieccio
  • May 20, 2021

Like Rear Window, Alfred Hitchcock’s 1954 classic that makes for such an obvious comparison to The Woman in the Window, the latter Amy Adams-starring “slow [Read More…]

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Film Politics

Mrs. Danvers Is Every Trump Loyalist

  • By Genna Rivieccio
  • November 12, 2020

With the latest addition to the pile of Alfred Hitchcock remakes being Rebecca, one can’t help but study with more double take curiosity the utterly [Read More…]

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Film

Rebecca Redux: A Sumptuous Effort That Takes Understated Liberties With Hitchcock’s Original

  • By Genna Rivieccio
  • November 12, 2020

Remaking anything from the Alfred Hitchcock oeuvre is always an emboldened move. And yet, at the same time, in the present climate of a total [Read More…]

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90s Movies

12 Monkeys & The Cassandra Complex: Why Having Foresight Makes No Difference in Trying to Stop a Pandemic

  • By Genna Rivieccio
  • March 20, 2020

As the coronavirus rages on its world tour without signs of slowing down (despite the lies China is likely telling about no more reported cases), [Read More…]

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Film

Body Double Has Transcended the Mere Relegation of Hitchcockian “Body Double” With Time

  • By Genna Rivieccio
  • July 27, 2018

Few directors have been able to adequately pay homage to Alfred Hitchcock over the decades since the undisputed master of mystery gave us his last [Read More…]

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Film

The Tourist As the Last Movie That Displayed Hitchcockian Glamor

  • By Genna Rivieccio
  • July 8, 2018

Considering that Florian Henckel von Donnersmarck has a name like Florian Henckel von Donnersmarck (in truth, a name that’s even longer in the form of Florian [Read More…]

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Film

De Palma: A MasterClass of A Documentary/Also Great For Taking A Shot Every Time He Says “Holy Mackerel”

  • By Genna Rivieccio
  • June 11, 2016

When it comes to the topic of genius and its exploration in film–whether documentary or scripted narrative–the crux of the noun always tends to boil [Read More…]

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