Kanye West Doesn’t Kill Kim in His Music, But Eminem Did: Why “Eazy” Sets No Precedent for Male Revenge

There’s no need to emphasize that people’s sensibilities have become far more delicate (while also dichotomously becoming more impervious) since the era when Eminem was [Read More…]

Yuppie Tribalism (Dance Party in Patrick Bateman’s Apartment): Charli XCX’s “Baby” Video

Perhaps if Patrick Bateman hadn’t given a chapter-long discourse on Whitney Houston’s career trajectory in American Psycho, he would have opted instead to do so [Read More…]

Florence + the Machine’s “King” One-Ups “Girls Just Want to Have Fun” on the Feminist Anthem Front, But Is Still Hemmed In By the Limits of a Patriarchal Language

It’s been four years since Florence + the Machine came out with High As Hope, the band’s fourth record released over a nine-year period. If [Read More…]

“Girls Just Want to Have Fun” Presents a Woman’s Persistent “At War” Nature of Wanting to Be Taken Seriously Versus Wanting to Fuck Around

Because women’s “liberation,” as a rule, is really not all that “old” or “time-honored,” the gender, unlike the male one, has had to deal with [Read More…]

FKA Twigs’ “Jealousy” Reminds That Black British Culture in Music Is Rarely As Celebrated As It Should Be

There is so often talk of the “Black experience” in America, yet, in certain regards, one has to wonder if that experience isn’t even more [Read More…]

No More “Bette Davis Eyes,” No More “Private Eyes”—It’s All About “Shinigami Eyes” Now

Commencing with a scene that makes it look like she’s in an AI version of Rodin’s “The Gates of Hell,” Grimes ramps up her “metaverse” [Read More…]

Sir Mix-A-Lot Seems to Take Hold of the Set Design in Shenseea and Megan Thee Stallion’s “Lick” Video

After a steady stream of single releases since 2016, it would appear that Shenseea is finally poised for her breakthrough in a similar fashion to [Read More…]