
If Morrissey taught us anything, it’s that to suffer is both beautiful and time-consuming. If you’re enjoying life, you’re probably horribly stupid or cartoonishly sexual. More than any other band member, even the heroin-addled Andy Rourke, who was kicked out of the band for a spell in 1986, Morrissey understood the agony of longing. This sense of intense yearning and loss that comes through in every song is what tends to appeal to the adolescent sensibility.

Surprisingly, it isn’t considered fashionable for adults to be doleful, even though they have the most reasons out of any age group to feel melancholic. Perhaps if Morrissey and Marr had explored the lifestyle of suburban settling, they might have reached across generations.

But, without any real explanation, there’s something of a Neverland effect when it comes to The Smiths. If you leave the demographic of youth, you suddenly stop comprehending why you ever listened to them in the first place. Maybe it’s because, to quote Ally Sheedy in The Breakfast Club, “When you grow up, your heart dies.” But more than that, it’s a total disintegration of the soul. After all, to work in an office and know that you’ll stay in one place for the rest of your life does require a certain void where once the soul was. So as soon as you find yourself incapable of revisiting The Smiths, you can finally confirm that you’ve died inside.