For the Broke Asses in the Ultra Cheap Seats: The Eras Tour in Movie Format Makes It Clear That Taylor Swift Is Still the Apolitical “Good Girl”

Billed instantly as a “three-hour career-spanning victory lap,” Taylor Swift’s sixth tour is, needless to say, her most ambitious yet. Part of that ambitiousness has [Read More…]

Lolahol Finally Surrenders Full-Stop to Emulating Her Mother, “Spelling” Us With An Updated Take on the “Frozen” Video

The first introduction to Lourdes Leon a.k.a. Lolahol as a singer was 2022’s “Lock&Key.” More to the point, that introduction revealed Lolahol’s unexpected preference for [Read More…]

The Unspoken “Trick” of Madonna’s Longest-Charting R&B/Hip Hop Single Since “Take A Bow” Is One She’s Been Using for Decades

For a long time, Madonna has been aware of the benefits of a certain “gimmick”: the musical collaboration. Where once she would have shied away [Read More…]

The 2023 VMAs Remains Reliant on Millennial Star Power (And What That Says About the Future of Music)

Perhaps it was Taylor Swift’s gushing, enthusiastic fangirl reaction to being awarded “Best Pop” (a fairly broad category and term) by none other than *NSYNC [Read More…]

It Took Thirty-Four Years to Admit America Is Actually Godless So That Madonna’s Pepsi Commercial Could be Embraced by the Company and Re-Aired on TV Again

In the final year of the still Reagan-dominated 80s, Madonna again “chose” (as if being inherently controversial to milquetoasts is a choice) to shock the [Read More…]

Between Anitta’s “Use To Be” and Miley Cyrus’ “Used To Be Young,” It Has to Be Asked: Are the Thirty-Something Women Okay, Perception-Wise?

There was a minute there when it seemed like society, or at least the representation of it through pop culture, had come a long way [Read More…]