Addison Rae’s “Fame Is a Gun” Highlights That Britney Adage, “With a taste of a poison paradise/I’m addicted to you”

In the tradition of songs ruminating on fame (largely begat by Madonna with 1998’s “Drowned World/Substitute for Love”), Addison Rae adds to the genre with [Read More…]

The Madonna Stylings of Chappell Roan’s “Red Wine Supernova” and “Pink Pony Club” Performances for MTV Push

On the May 20th episode of Ts Madison’s new podcast, Outlaws, Chappell Roan was a guest alongside Sasha Colby. Because, as it is well-known by now, [Read More…]

MAC’s Nepo Baby Campaign is a Reflection of Living in a Time Where Everyone Has Decided to Say “So What?” About Embracing Shitty Behavior and Systems

While outlets like New York Magazine might have thought that calling out nepo babies (by, among other tactics, quite literally naming names) could deter them or the [Read More…]

Sirens Delves Into the Limits of Sisterly Bonds, Class as Cult and Women Being Made Into “Monsters” Once They Don’t Live Up to Expectations

In 2011, Molly Smith Metzler’s play, Elemeno Pea, made its debut. Not in “fancy” New York City, where theater is deemed by many a self-righteous snob [Read More…]

Among Other 00s Fare, Reneé Rapp’s “Leave Me Alone” Shares Some of Its DNA With Gwen Stefani’s “What You Waiting For?” 

Reneé Rapp’s latest song and video, “Leave Me Alone,” is the first “open statement” she’s made since “scandalously” leaving The Sex Lives of College Girls (ironically, Rapp [Read More…]

Flipping the Script on the Old Adage, “Men Only Want One Thing,” Lola Young Gives a Much-Needed Woman’s Perspective on (and Encouragement of) the “One and Done” Philosophy 

As the rise of Lola Young continues to prove that it takes a special kind of British chanteuse to capture the hearts (read: wallets) of [Read More…]