The 2026 Grammys Was a Snapshot of America Now: Either Speaking Out or Remaining “Apolitical”

In the past, awards shows tended to be, at least to the more “pearl-clutching” types, a notorious opportunity for artists to get “hyper-political.” As it [Read More…]

Madonna’s “Where’s the Party” Signaled a Reaction to the Rise of Neoliberalism

While Madonna has always herself been one of the most glaring examples of a capitalist (and, perhaps even more tellingly, of the baby boomer generation [Read More…]

A Few Years After the Pandemic, Mitski Makes Being a Recluse Fashionable Again in the Shirley Jackson-Inspired Video for “Where’s My Phone?”

Perhaps if there’s any “persona” best suited for the times we live in, it’s a recluse who can only ever feel like her authentic (read: [Read More…]

With the Video for “Bad Enough,” Madison Beer Suggests That the Only One Keeping You Trapped in a Relationship is…You (Which is Probably Why You Can’t Leave It)

As the fourth single from her candid and confessional album, Locket, “Bad Enough” might just be Madison Beer’s most emotional offering from the record. Accordingly, [Read More…]

Move Over Phil Spector, Charli XCX’s Latest Song From Wuthering Heights, “Wall of Sound,” Conveys a Level of Yearning on Par with Groups Like The Ronettes

Knowing Charli XCX and her love/appreciation for music, it would be unlikely that she wasn’t aware of the Phil Spector connection to a title like [Read More…]

Hilary Duff’s “Roommates” Is a Lament for the Honeymoon Phase (Both of a Relationship and Life)

As Hilary Duff gives another auditory snapshot of what to expect from sixth album, Luck… or Something, “Roommates” provides a marked thematic contrast to the [Read More…]