Steven Soderbergh & The Art of Voyeuristic Film in Full Frontal

Full Frontal is easily Steven Soderbergh’s least loved film. Not only did it follow the well-received Traffic and Ocean’s Eleven, but it also somewhat falsely advertised itself as a “sequel” to Sex, Lies and Videotape. Objectively speaking, its clunky, documentary-style aesthetic, paired with an often thin plot is what off-puts …

A (Semi) Practical Defense Against the Latest Rom-Com Study

The latest study on the detriments of watching rom-coms have revealed results that one may find somewhat surprising. Rather than, say, proving that ingesting a steady diet of films in the vein of Pretty Woman will only lead to obscenely false expectations, an examination conducted by the University of Michigan has shown that …